Playback ServersMultiLayer HD compositing, 3d Keystone, Dynamic Alpha Masking, Multihead Multiplane Output, Edge Blending, Realtime Sensor and Audio Interaction and Network Scalable.
Venom SoftwareVenom Lite for PC or Mac. Efficient HD layered compositing. Masking. Show Automation.
Control SurfacesCustom templates and easy setup for Jazzmutant Lemur, Iphone/Ipod/Ipad. The Lemur is our control surface of choice for playback servers.
Diverse I/OIndustrial Sensors, DMX, Midi, Motor Control, Networking and Custom triggers integrated into your Venom software environment.
Brandon Epperson will be performing with Karsh Kale this summer for his album release tour of “Cinema”. It will be a Venom designed setup on stage managing both the computer driven musical elements, and the live video/lighting. The audio side will be serving a multitrack set of out streams to FOH full of samples and [...]
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Armani on 5th avenue tapped Brandon and Venom Design to sort out a large merged projection setup in the front area of their flagship NYC store. Discussions already bubbling about work with the leds in the floor and the large led video composite on the outside of the building. Some exciting interior reactive design maybe [...]
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Venom media server, lemur, and a Monday Sessions Media live webcast rig cranked out another Innovative Theater Awards this year at Cooper Union. One of those, bring gear, get media on a drive when you get there, throw down a 3 camera webcast and 3 projector awards show with no prep. Better bring everything you [...]
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Venom design servers are being used to run projections for the recently opened show “The Pitmen Painters” produced by Manhattan Theater Club at the Freidman theater. Brandon Epperson was the projectionist and the stateside video designer for the show. Brandon created a new software platform more intended for content motion on the canvas cue to [...]
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Brandon Epperson was the sound and video designer of Daniel Talbott’s play “Slipping” and used his own custom Venom server for two projection feeds and the multichannel audio design of the show. Here is a link to the New York Time’s review of the play.
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